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Home body memory : Filipina artists in the visual arts, 19th century to the present / Flaudette May V. Datuin

By: Datuin, Flaudette May V [author].
Material type: materialTypeLabelBookPublisher: Quezon City : University of the Philippines Press, 2002Description: xii, 312 pages : illustrations.Content type: text Media type: unmediated Carrier type: volumeISBN: 9715423469.Subject(s): Women artists -- Philippines | Art, Philippine | FilipinianaGenre/Form:
Contents:
I. Home body memory
The feminine as feminist "elsewhere"
My feminist standpoint
What the feminine is
Home body memory
Negotiating and producing meaning from and through the body
The body as site of identity formation
Identity as being/not being home
Re/presentation as counter-memory
The texts and contexts of representation
Directions and departures
II. Filipina artists from the 19th century to the present
The feminine in art history
The feminine in modernism's selective tradition
Women of the first generation : first female students and art teachers
Saguil and Magsaysay-Ho : the first women moderns and expatriates
Belleza and Limcaco-Dans : second generation modernists
Women of the third generation : the kasibulan and the emergence of a feminist consciousness
Emerging artists of the present generation
Working away from the center
The tasks ahead
III. Usapang babae : women weaving, writing, speaking
Open letter to a woman artist, or how did you bang your pots and pans?
The kasibulan : more than just a "sewing circle"
Sewing and telling : "Urduja" Quinto
Nang manaog ang balyan. Alma "Urduja" Quinto. Textile, foam, yarn, acrylic, contact cement. 2000. 129 cm x 215 cm x 117 cm
Tsismis. Lydia Rivera Ingle. 1993. Oil on canvas. 43 x 63 cms
Trouble in paradise. Maningning Miclat. 1992. Oil on canvas. 183 x 122 cms
The body of the painter, the body of the woman
Karen Ocampo Flores : a woman artist writes, crosses the lines
Returning the gaze through usapang babae
IV. The gaze of modernity and the spaces of femininity : women's art and modern vision
What is woman's art? Or is there such a thing?
Feminine space as location, special order and social position
Modernity and the spaces of femininity
The flaneur and the gaze of modernity
The world of interiors and the culture of the still life
Landscape and genre : nature, gender and ethnicity as site/sight
The female body as nude, the woman artist as body : dangers and possibilities
Correcting our vision, redrawing our lines: the works of Irma Lacorte
Conclusion : answering the problem
The feminine as site of containment
The body as site of critical and aesthetic re-vision
Memory as testimony
Home as location, community and tradition
The feminine as feminist elsewhere : where do we go from here?
Note(s):
Published jointly with the UP Center for Women's Studies.
Includes bibliographical references (pages 296-312).
Item type Current location Collection Call number Copy number Status Date due Barcode Item holds
Book Cubao Branch
Filipiniana Section
Filipiniana F 709.2 D234h 2002 (Browse shelf) c. 4 Room use only 17580QC
Book Cubao Branch
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Filipiniana F 709.2 D234h 2002 (Browse shelf) c. 9 Room use only 25000QC
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Filipiniana F 709.2 D234h 2002 (Browse shelf) c. 12 Room use only 25003QC
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Filipiniana F 709.2 D234h 2002 (Browse shelf) c. 14 Room use only 25005QC
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Filipiniana F 709.2 D234h 2002 (Browse shelf) c. 7 Room use only 24998QC
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Total holds: 0
Browsing North Fairview Branch Shelves , Shelving location: Filipiniana Section , Collection code: Filipiniana Close shelf browser
F 700.458 G958p 2001 Protest/revolutionary art in the Philippines 1970-1990 F 700.9599 C386 1994 v. 10 CCP encyclopedia of the Philippine art F 701.1 Ar712i 2014 Introduction to art appreciation F 709.2 D234h 2002 Home body memory F 709.2 D234h 2002 Home body memory F 709.20599 D326h 1979 H. R. Ocampo F 709.599 D234c 2016 Contemporary Philippine arts from the regions

Published jointly with the UP Center for Women's Studies.

Includes bibliographical references (pages 296-312).

I. Home body memory

The feminine as feminist "elsewhere"

My feminist standpoint

What the feminine is

Home body memory

Negotiating and producing meaning from and through the body

The body as site of identity formation

Identity as being/not being home

Re/presentation as counter-memory

The texts and contexts of representation

Directions and departures

II. Filipina artists from the 19th century to the present

The feminine in art history

The feminine in modernism's selective tradition

Women of the first generation : first female students and art teachers

Saguil and Magsaysay-Ho : the first women moderns and expatriates

Belleza and Limcaco-Dans : second generation modernists

Women of the third generation : the kasibulan and the emergence of a feminist consciousness

Emerging artists of the present generation

Working away from the center

The tasks ahead

III. Usapang babae : women weaving, writing, speaking

Open letter to a woman artist, or how did you bang your pots and pans?

The kasibulan : more than just a "sewing circle"

Sewing and telling : "Urduja" Quinto

Nang manaog ang balyan. Alma "Urduja" Quinto. Textile, foam, yarn, acrylic, contact cement. 2000. 129 cm x 215 cm x 117 cm

Tsismis. Lydia Rivera Ingle. 1993. Oil on canvas. 43 x 63 cms

Trouble in paradise. Maningning Miclat. 1992. Oil on canvas. 183 x 122 cms

The body of the painter, the body of the woman

Karen Ocampo Flores : a woman artist writes, crosses the lines

Returning the gaze through usapang babae

IV. The gaze of modernity and the spaces of femininity : women's art and modern vision

What is woman's art? Or is there such a thing?

Feminine space as location, special order and social position

Modernity and the spaces of femininity

The flaneur and the gaze of modernity

The world of interiors and the culture of the still life

Landscape and genre : nature, gender and ethnicity as site/sight

The female body as nude, the woman artist as body : dangers and possibilities

Correcting our vision, redrawing our lines: the works of Irma Lacorte

Conclusion : answering the problem

The feminine as site of containment

The body as site of critical and aesthetic re-vision

Memory as testimony

Home as location, community and tradition

The feminine as feminist elsewhere : where do we go from here?

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