Datuin, Flaudette May V. , author ,
Home body memory : Filipina artists in the visual arts, 19th century to the present / Flaudette May V. Datuin. --
Published jointly with the UP Center for Women's Studies.
Includes bibliographical references (pages 296-312).
I. Home body memory The feminine as feminist "elsewhere" My feminist standpoint What the feminine is Home body memory Negotiating and producing meaning from and through the body The body as site of identity formation Identity as being/not being home Re/presentation as counter-memory The texts and contexts of representation Directions and departures II. Filipina artists from the 19th century to the present The feminine in art history The feminine in modernism's selective tradition Women of the first generation : first female students and art teachers Saguil and Magsaysay-Ho : the first women moderns and expatriates Belleza and Limcaco-Dans : second generation modernists Women of the third generation : the kasibulan and the emergence of a feminist consciousness Emerging artists of the present generation Working away from the center The tasks ahead III. Usapang babae : women weaving, writing, speaking Open letter to a woman artist, or how did you bang your pots and pans? The kasibulan : more than just a "sewing circle" Sewing and telling : "Urduja" Quinto Nang manaog ang balyan. Alma "Urduja" Quinto. Textile, foam, yarn, acrylic, contact cement. 2000. 129 cm x 215 cm x 117 cm Tsismis. Lydia Rivera Ingle. 1993. Oil on canvas. 43 x 63 cms Trouble in paradise. Maningning Miclat. 1992. Oil on canvas. 183 x 122 cms The body of the painter, the body of the woman Karen Ocampo Flores : a woman artist writes, crosses the lines Returning the gaze through usapang babae IV. The gaze of modernity and the spaces of femininity : women's art and modern vision What is woman's art? Or is there such a thing? Feminine space as location, special order and social position Modernity and the spaces of femininity The flaneur and the gaze of modernity The world of interiors and the culture of the still life Landscape and genre : nature, gender and ethnicity as site/sight The female body as nude, the woman artist as body : dangers and possibilities Correcting our vision, redrawing our lines: the works of Irma Lacorte Conclusion : answering the problem The feminine as site of containment The body as site of critical and aesthetic re-vision Memory as testimony Home as location, community and tradition The feminine as feminist elsewhere : where do we go from here?
ISBN 9715423469
Women artists -- Philippines
Art, Philippine
709.2
Home body memory : Filipina artists in the visual arts, 19th century to the present / Flaudette May V. Datuin. --
Published jointly with the UP Center for Women's Studies.
Includes bibliographical references (pages 296-312).
I. Home body memory The feminine as feminist "elsewhere" My feminist standpoint What the feminine is Home body memory Negotiating and producing meaning from and through the body The body as site of identity formation Identity as being/not being home Re/presentation as counter-memory The texts and contexts of representation Directions and departures II. Filipina artists from the 19th century to the present The feminine in art history The feminine in modernism's selective tradition Women of the first generation : first female students and art teachers Saguil and Magsaysay-Ho : the first women moderns and expatriates Belleza and Limcaco-Dans : second generation modernists Women of the third generation : the kasibulan and the emergence of a feminist consciousness Emerging artists of the present generation Working away from the center The tasks ahead III. Usapang babae : women weaving, writing, speaking Open letter to a woman artist, or how did you bang your pots and pans? The kasibulan : more than just a "sewing circle" Sewing and telling : "Urduja" Quinto Nang manaog ang balyan. Alma "Urduja" Quinto. Textile, foam, yarn, acrylic, contact cement. 2000. 129 cm x 215 cm x 117 cm Tsismis. Lydia Rivera Ingle. 1993. Oil on canvas. 43 x 63 cms Trouble in paradise. Maningning Miclat. 1992. Oil on canvas. 183 x 122 cms The body of the painter, the body of the woman Karen Ocampo Flores : a woman artist writes, crosses the lines Returning the gaze through usapang babae IV. The gaze of modernity and the spaces of femininity : women's art and modern vision What is woman's art? Or is there such a thing? Feminine space as location, special order and social position Modernity and the spaces of femininity The flaneur and the gaze of modernity The world of interiors and the culture of the still life Landscape and genre : nature, gender and ethnicity as site/sight The female body as nude, the woman artist as body : dangers and possibilities Correcting our vision, redrawing our lines: the works of Irma Lacorte Conclusion : answering the problem The feminine as site of containment The body as site of critical and aesthetic re-vision Memory as testimony Home as location, community and tradition The feminine as feminist elsewhere : where do we go from here?
ISBN 9715423469
Women artists -- Philippines
Art, Philippine
709.2