| 000 -LEADER |
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03938nam a22008297a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20231108165636.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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160907s2002 ph a|||| b||| 000 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9715423469 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
QCPL |
| Description conventions |
rda |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709.2 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Datuin, Flaudette May V. |
| Relator term |
author |
| 245 10 - TITLE STATEMENT |
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| Title |
Home body memory |
| Remainder of title |
: Filipina artists in the visual arts, 19th century to the present |
| Statement of responsibility, etc. |
/ Flaudette May V. Datuin |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Quezon City : |
| Name of producer, publisher, distributor, manufacturer |
University of the Philippines Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2002 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xii, 312 pages : |
| Other physical details |
illustrations |
| 336 ## - Content Type |
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| Source |
rdacontent |
| Content type term |
text |
| 337 ## - MEDIA TYPE |
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| Source |
rdamedia |
| Media type term |
unmediated |
| 338 ## - Carrier Type |
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| Source |
rdacarrier |
| Carrier type term |
volume |
| 500 ## - GENERAL NOTE |
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| General note |
Published jointly with the UP Center for Women's Studies. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references (pages 296-312). |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
I. Home body memory |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The feminine as feminist "elsewhere" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
My feminist standpoint |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
What the feminine is |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Home body memory |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Negotiating and producing meaning from and through the body |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The body as site of identity formation |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Identity as being/not being home |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Re/presentation as counter-memory |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The texts and contexts of representation |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Directions and departures |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
II. Filipina artists from the 19th century to the present |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The feminine in art history |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The feminine in modernism's selective tradition |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Women of the first generation : first female students and art teachers |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Saguil and Magsaysay-Ho : the first women moderns and expatriates |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Belleza and Limcaco-Dans : second generation modernists |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Women of the third generation : the kasibulan and the emergence of a feminist consciousness |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Emerging artists of the present generation |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Working away from the center |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The tasks ahead |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
III. Usapang babae : women weaving, writing, speaking |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Open letter to a woman artist, or how did you bang your pots and pans? |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The kasibulan : more than just a "sewing circle" |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Sewing and telling : "Urduja" Quinto |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Nang manaog ang balyan. Alma "Urduja" Quinto. Textile, foam, yarn, acrylic, contact cement. 2000. 129 cm x 215 cm x 117 cm |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Tsismis. Lydia Rivera Ingle. 1993. Oil on canvas. 43 x 63 cms |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Trouble in paradise. Maningning Miclat. 1992. Oil on canvas. 183 x 122 cms |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The body of the painter, the body of the woman |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Karen Ocampo Flores : a woman artist writes, crosses the lines |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Returning the gaze through usapang babae |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
IV. The gaze of modernity and the spaces of femininity : women's art and modern vision |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
What is woman's art? Or is there such a thing? |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Feminine space as location, special order and social position |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Modernity and the spaces of femininity |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The flaneur and the gaze of modernity |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The world of interiors and the culture of the still life |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Landscape and genre : nature, gender and ethnicity as site/sight |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The female body as nude, the woman artist as body : dangers and possibilities |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Correcting our vision, redrawing our lines: the works of Irma Lacorte |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Conclusion : answering the problem |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The feminine as site of containment |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The body as site of critical and aesthetic re-vision |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Memory as testimony |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Home as location, community and tradition |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The feminine as feminist elsewhere : where do we go from here? |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Women artists |
| Geographic subdivision |
Philippines |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art, Philippine |
| 655 ## - INDEX TERM--GENRE/FORM |
|---|
| Source of term |
lcgft |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) |
|---|
| Topical term or geographic name as entry element |
Filipiniana |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
|
| Koha item type |
Book |
