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_c5507 _d5506 |
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| 003 | OSt | ||
| 005 | 20231108165636.0 | ||
| 008 | 160907s2002 ph a|||| b||| 000 0 eng d | ||
| 020 | _a9715423469 | ||
| 040 |
_cQCPL _erda |
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| 082 | _a709.2 | ||
| 100 | 1 |
_aDatuin, Flaudette May V. _91357 _eauthor |
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| 245 | 1 | 0 |
_aHome body memory _b: Filipina artists in the visual arts, 19th century to the present _c/ Flaudette May V. Datuin |
| 264 | 1 |
_aQuezon City : _bUniversity of the Philippines Press, _c2002 |
|
| 300 |
_axii, 312 pages : _billustrations |
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| 336 |
_2rdacontent _atext |
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| 337 |
_2rdamedia _aunmediated |
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| 338 |
_2rdacarrier _avolume |
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| 500 | _aPublished jointly with the UP Center for Women's Studies. | ||
| 504 | _aIncludes bibliographical references (pages 296-312). | ||
| 505 | 0 | _aI. Home body memory | |
| 505 | 0 | _aThe feminine as feminist "elsewhere" | |
| 505 | 0 | _aMy feminist standpoint | |
| 505 | 0 | _aWhat the feminine is | |
| 505 | 0 | _aHome body memory | |
| 505 | 0 | _aNegotiating and producing meaning from and through the body | |
| 505 | 0 | _aThe body as site of identity formation | |
| 505 | 0 | _aIdentity as being/not being home | |
| 505 | 0 | _aRe/presentation as counter-memory | |
| 505 | 0 | _aThe texts and contexts of representation | |
| 505 | 0 | _aDirections and departures | |
| 505 | 0 | _aII. Filipina artists from the 19th century to the present | |
| 505 | 0 | _aThe feminine in art history | |
| 505 | 0 | _aThe feminine in modernism's selective tradition | |
| 505 | 0 | _aWomen of the first generation : first female students and art teachers | |
| 505 | 0 | _aSaguil and Magsaysay-Ho : the first women moderns and expatriates | |
| 505 | 0 | _aBelleza and Limcaco-Dans : second generation modernists | |
| 505 | 0 | _aWomen of the third generation : the kasibulan and the emergence of a feminist consciousness | |
| 505 | 0 | _aEmerging artists of the present generation | |
| 505 | 0 | _aWorking away from the center | |
| 505 | 0 | _aThe tasks ahead | |
| 505 | 0 | _aIII. Usapang babae : women weaving, writing, speaking | |
| 505 | 0 | _aOpen letter to a woman artist, or how did you bang your pots and pans? | |
| 505 | 0 | _aThe kasibulan : more than just a "sewing circle" | |
| 505 | 0 | _aSewing and telling : "Urduja" Quinto | |
| 505 | 0 | _aNang manaog ang balyan. Alma "Urduja" Quinto. Textile, foam, yarn, acrylic, contact cement. 2000. 129 cm x 215 cm x 117 cm | |
| 505 | 0 | _aTsismis. Lydia Rivera Ingle. 1993. Oil on canvas. 43 x 63 cms | |
| 505 | 0 | _aTrouble in paradise. Maningning Miclat. 1992. Oil on canvas. 183 x 122 cms | |
| 505 | 0 | _aThe body of the painter, the body of the woman | |
| 505 | 0 | _aKaren Ocampo Flores : a woman artist writes, crosses the lines | |
| 505 | 0 | _aReturning the gaze through usapang babae | |
| 505 | 0 | _aIV. The gaze of modernity and the spaces of femininity : women's art and modern vision | |
| 505 | 0 | _aWhat is woman's art? Or is there such a thing? | |
| 505 | 0 | _aFeminine space as location, special order and social position | |
| 505 | 0 | _aModernity and the spaces of femininity | |
| 505 | 0 | _aThe flaneur and the gaze of modernity | |
| 505 | 0 | _aThe world of interiors and the culture of the still life | |
| 505 | 0 | _aLandscape and genre : nature, gender and ethnicity as site/sight | |
| 505 | 0 | _aThe female body as nude, the woman artist as body : dangers and possibilities | |
| 505 | 0 | _aCorrecting our vision, redrawing our lines: the works of Irma Lacorte | |
| 505 | 0 | _aConclusion : answering the problem | |
| 505 | 0 | _aThe feminine as site of containment | |
| 505 | 0 | _aThe body as site of critical and aesthetic re-vision | |
| 505 | 0 | _aMemory as testimony | |
| 505 | 0 | _aHome as location, community and tradition | |
| 505 | 0 | _aThe feminine as feminist elsewhere : where do we go from here? | |
| 650 |
_aWomen artists _zPhilippines |
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| 650 | _aArt, Philippine | ||
| 655 | _2lcgft | ||
| 942 |
_2ddc _cBOOK |
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| 690 | _aFilipiniana | ||