| 000 | 01930nam a2200469 4500 | ||
|---|---|---|---|
| 999 |
_c19583 _d19582 |
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| 003 | OSt | ||
| 005 | 20231108144156.0 | ||
| 008 | 230609s2002 nyua b 001 0 eng d | ||
| 020 | _a1581152299 | ||
| 040 | _cQCPL | ||
| 082 | _a791.43023 | ||
| 100 | 1 |
_99034 _aCampbell, Drew _eauthor |
|
| 245 | 1 | 0 |
_aTechnical film and TV for nontechnical people _c/ by Drew Campbell |
| 264 | 1 |
_aNew York : _bAllworth Press, _c[2002] |
|
| 300 |
_ax, 246 pages : _billustrations |
||
| 336 |
_2rdacontent _atext |
||
| 337 |
_2rdamedia _aunmediated |
||
| 338 |
_2rdacarrier _avolume |
||
| 504 | _aIncludes bibliographical references (pages [238]-240) and index. | ||
| 505 | 0 | _aFly that stinger to the midget on the platypus : why this book | |
| 505 | 0 | _aWho does what : the population of a set | |
| 505 | 0 | _aThe language of film : shots, camera moves, and transitions | |
| 505 | 0 | _aThe first big choice : film and video formats | |
| 505 | 0 | _aPainting the frame : lighting and cinematography | |
| 505 | 0 | _aThe film camera : the eight-hundred-pound gorilla | |
| 505 | 0 | _aThe celluloid canvas : the film | |
| 505 | 0 | _aVideo cameras : the fastest change in the industry | |
| 505 | 0 | _aSupporting the camera : tripods, dollies, and camera mounts | |
| 505 | 0 | _aStingers and doubles and heads, oh my! - lighting equipment | |
| 505 | 0 | _aApples and cup blocks and show cards, oh my! - grip equipment | |
| 505 | 0 | _aProduction sound : capturing dialogue | |
| 505 | 0 | _aContinuity, coverage, and chaos : life on the set | |
| 505 | 0 | _aTelecine and "the dialies" | |
| 505 | 0 | _aEditing : how to create a reality | |
| 505 | 0 | _aSculpting the sound : postproduction audio | |
| 505 | 0 | _aBasic things : ten to know and seven to own | |
| 650 |
_aMotion pictures _xProduction and direction |
||
| 650 | _aCinematography | ||
| 650 |
_aTelevision _xProduction and direction |
||
| 942 |
_2ddc _cBOOK |
||
| 690 | _aArts, crafts & photography | ||