Essaying

Accidental essayist

In praise of sensitive men

Being an ermat

Poetry and pleasures of running

The colors of October

Goodbye to the king

In death, the king still reigns

Remembrances of christmases past

The turbulent '70s

Babaylan, priestess, diyosa, bruha, witch

The greatest Pinays in my book

Home

Freeing women

Protest in '83

The emerging women's liberation movement

Housewives, our unsung heroes

Victims of sexual violence in the news?

Fetal rights or human rights?

Visual art or visual rape?

The false, the bad, and the ugly

Women in local films an outrage

Faces of the Filipina in the Philippine movies

The absentee women in local cinema

Pornography : whose silence and whose freedom?

Reviewing sounds & images

Dances of life and death

The human persons behind the names

Children's feast at bedtime

Ikabod bubwit out of frame

Quijano de Manila's profiles

Of people and Quijano de Manila

Storytelling with ease

Rony V. Diaz's death in a sawmill

Words as weapons

From dreamer to warrior

Bata, bata ... stirring controversy

In search of the liberated man

A woman named George

High notes in double fantasy

Pilita's greatest hits

Portrait of the singer as woman

Joaquin's tatarin : kiss kiss chop chop

The new woman in cinema

Turning a spellbinding novel to film

A story of breaking and mending hearts

Menor de edad : innocents beguiling

Brutally frank and true

Moral : ahead of its time

Journeying

Sampaloc of the '50s

Escape to Montemar

Overnight in Marcos country

Southern interlude

Glimpses of China

Deja vu in America (or one of those songs)

The mystique of Mexico

In Mexico, the twilight runs red