| 000 -LEADER |
|---|
| fixed length control field |
02583nam a2200577 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20240105133116.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
240104s2020 njua b 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781119190806 |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
QCPL |
| Description conventions |
rda |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
711.57 |
| 245 02 - TITLE STATEMENT |
|---|
| Title |
A companion to public art |
| Statement of responsibility, etc. |
/ edited by Cher Krause Knight and Harriet F. Senie |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Hoboken, New Jersey : |
| Name of producer, publisher, distributor, manufacturer |
John Wiley & Sons, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2020 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xix, 491 pages : |
| Other physical details |
illustrations |
| 336 ## - Content Type |
|---|
| Source |
rdacontent |
| Content type term |
text |
| 337 ## - MEDIA TYPE |
|---|
| Source |
rdamedia |
| Media type term |
unmediated |
| 338 ## - Carrier Type |
|---|
| Source |
rdacarrier |
| Carrier type term |
volume |
| 490 ## - SERIES STATEMENT |
|---|
| Series statement |
Wiley Blackwell companions to art history |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Part I. Traditions |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
1. Memorizing the holocaust |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
2. Chilean memorials to the disappeared : symbolic reparations |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
3. Modern mural painting in the United States |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
4. Locating history in concrete and bronze : civic monuments in Bamako, Mali |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
5. The conflation of heroes and victims : a new memorial paradigm |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Part II. Site |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
6. Sculptural showdown : (re)siting and (mis)remembering in Chicago |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
7. In the streets where we live |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
8. Powerlands : land art as retribution and reclamation |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
9. Waterworks : politics, public art, and the university campus |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
10. Augmented realities : digital art in the public sphere |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Part III. Audience |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
11. Audiences are people, too : social art practice as lived experience |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
12. Contextualizing the public in social practice projects |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
13. Art administrators and audiences |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
14. Poll the jury : the role of the panelist in public art |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
15. Participatory public art evaluation : approaches to researching audience response |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Part IV. Frames |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
16. The time frame : encounters with ephemeral public art |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
17. The memory frame : set in stone, a dialogue |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
18. The patronage frame : New York City's mayors |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
19. The process frame : vandalism, removal, re-siting, destruction |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
20. The marketing frame : online corporate communities |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
21. The mass media frame : pranking, soap operas, and public art |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Public art |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Public sculpture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) |
|---|
| 9 (RLIN) |
10967 |
| Topical term or geographic name as entry element |
Arts, crafts & photography |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Knight, Cher Krause |
| Relator term |
editor |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Senie, Harriet F. |
| Relator term |
editor |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Book |
