| 000 -LEADER |
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| fixed length control field |
04953nam a22014897a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20231113141401.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
230713s2007 enk 000 j eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780007235810 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
QCPL |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
869.442 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Coelho, Paulo |
| Relator term |
author |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Like the flowing river |
| Remainder of title |
: thoughts and reflections |
| Statement of responsibility, etc. |
/ Paulo Coelho |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
London : |
| Name of producer, publisher, distributor, manufacturer |
Harper, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2007 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xvi, 245 pages |
| 336 ## - Content Type |
|---|
| Source |
rdacontent |
| Content type term |
text |
| 337 ## - MEDIA TYPE |
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| Source |
rdamedia |
| Media type term |
unmediated |
| 338 ## - Carrier Type |
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| Source |
rdacarrier |
| Carrier type term |
volume |
| 500 ## - GENERAL NOTE |
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| General note |
Translated from the Portuguese. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A day at the mill |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Prepared for battle, but with a few doubts |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The way of the bow |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The story of the pencil |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
How to climb mountains |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The importance of a degree |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
In a bar in Tokyo |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The importance of looking |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Genghis Khan and his falcon |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Looking at other people's gardens |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Pandora's box |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
How one thing can contain everything |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The music coming from the chapel |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The devil's pool |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The dead man wore pyjamas |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The solitary piece of coal |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Manuel is an important and necessary man |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Manuel is a free man |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Manuel goes to paradise |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
In Melbourne |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The pianist in the shopping mall |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
On my way to the Chicago book fair |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Of poles and rules |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The piece of bread that fell wrong side up |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Of books and libraries |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Prague, 1981 |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
For the woman who is all women |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A visitor arrives from Morocco |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
My funeral |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Restoring the web |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
These are my friends |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
How do we survive? |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Marked out to die |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The moment of dawn |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A January day in 2005 |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A man lying on the ground |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The missing brick |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Raj tells me a story |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The other side of the tower of Babel |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Before a lecture |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
On elegance |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Nha Chica of Baependi |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Rebuilding the house |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The prayer that I forgot |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Copacabana, Rio de Janeiro |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Living your own legend |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The man who followed his dreams |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The importance of the cat in meditation |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
I can't get in |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Statutes for the new millennium |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Destroying and rebuilding |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The warrior and faith |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
In Miami harbour |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Acting on impulse |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Transitory glory |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Charity under threat |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
On witches and forgiveness |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
On rhythm and the road |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Travelling differently |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A fairy tale |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Brazil's greatest writer |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The meeting that did not take place |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The smiling couple (London, 1977) |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The second chance |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Australian and the newspaper ad |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The tears of the desert |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Rome : Isabella returns from Nepal |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The art of the sword |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
In the blue mountains |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The taste of success |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The tea ceremony |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The cloud and the sand dune |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Norma and the good things |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Jordan, the dead sea, 21 June 2003 |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
In San Diego Harbour, California |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The art of withdrawal |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
In the midst of war |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The soldier in the forest |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
In a town in Germany |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Meeting in the Dentsu gallery |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Reflections on 11 September 2001 |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
God's signs |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Alone on the road |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The funny thing about human beings |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
An around-the-world trip after death |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Who would like this twenty-dollar bill? |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The two jewels |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Self-deception |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The art of trying |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The dangers besetting the spiritual search |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
My father-in-law, Christiano Oiticica |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Thank you, President Bush |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The intelligent clerk |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The third passion |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Catholic and the Muslim |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Evil wants good to prevail |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The law of Jante |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The old lady in Copacabana |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Remaining open to love |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Believing in the impossible |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The storm approaches |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Some final prayers |
| 546 ## - LANGUAGE NOTE |
|---|
| Language note |
Translated from the Portuguese |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Short stories |
| General subdivision |
Portuguese literature |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) |
|---|
| Topical term or geographic name as entry element |
Literature |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Costa, Margaret Jull |
| Relator term |
translator |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Book |
