| 000 -LEADER |
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| fixed length control field |
02580nam a22005057a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20231103144142.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
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| fixed length control field |
m|||||o||d| 00| 0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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| fixed length control field |
cr || auc||a|a |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
230420b2023 nyua sb 000 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781501387296 |
| Qualifying information |
ePDF |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
QCPL |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
302.231 |
| 245 00 - TITLE STATEMENT |
|---|
| Title |
YouTube and music |
| Remainder of title |
: online culture and everyday life |
| Statement of responsibility, etc. |
/ edited by Holly Rogers, Joana Freitas and João Francisco Porfírio |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Bloomsbury Academic, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2023] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource (300 pages) : |
| Other physical details |
illustrations |
| 336 ## - CONTENT TYPE |
|---|
| Source |
rdacontent |
| Content type term |
text |
| 337 ## - MEDIA TYPE |
|---|
| Source |
rdamedia |
| Media type term |
computer |
| 338 ## - CARRIER TYPE |
|---|
| Source |
rdacarrier |
| Carrier type term |
online resource |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Introduction : ‘Welcome to your world’ : YouTube and the reconfiguration of Music’s Gatekeepers Holly Rogers |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Transmedia, performance and digital stages |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
‘Musical personae’ 2.0 : the representation and self-portrayal of music performers on YouTube |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Quare(-in) the mainstream : YouTube, social media and augmented realities in Lil Nas X’s |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
‘Social composing’ and ‘contextual music’ : transmedial relations through new media in Jagoda Szmytka’s LOST PLAY |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
YouTube logics and the extraction of musical space in San Juan’s La Perla and Kingston’s fleet street pedagogy and interpretation |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Watching it all through a screen : YouTube as a teaching aid for music composition |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
The new language of music theory in the digital age |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
m☺Re tH@n WorD$ : aspects and appeals of the lyric video |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Music listening and circulation |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
The circulation of user-appropriated music content on YouTube |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Musical playlisting and curation on YouTube : what do algorithms know about music? |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
YouTube and the sonification of domestic everyday life |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
‘Talking’ about music : the emotional content of comments on YouTube videos |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Exploring time-coded comments on YouTube music videos of ‘Top 40’ Pop 2000–20 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Digital lifestyle |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Media studies |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Music industry |
| 651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
Music recording & reproduction |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| 9 (RLIN) |
8229 |
| Personal name |
Rogers, Holly |
| Relator term |
editor |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| 9 (RLIN) |
8230 |
| Personal name |
Freitas, Joana |
| Relator term |
editor |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| 9 (RLIN) |
8231 |
| Personal name |
Porfírio, João Francisco |
| Relator term |
editor |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
https://drive.google.com/file/d/1CDgOfOX4eddn16ItpLCdtJzVtr8o902x/view?usp=share_link |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
eBook (Free & Open Access) |
