| 000 -LEADER |
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| fixed length control field |
03182nam a22009137a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20231103135714.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
210625s2007 nyug|||| ||| 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780393973822 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
QCPL |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
781.423 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Karpinski, Gary Steven |
| Relator term |
author |
| 245 10 - TITLE STATEMENT |
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| Title |
Anthology for sight singing |
| Statement of responsibility, etc. |
/ Gary S. Karpinski, Richard Kram |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
W. W. Norton & Company, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2007] |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xiii, 463 pages of music |
| 336 ## - Content Type |
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| Source |
rdacontent |
| Content type term |
notated music |
| 337 ## - MEDIA TYPE |
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| Source |
rdamedia |
| Media type term |
unmediated |
| 338 ## - Carrier Type |
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| Source |
rdacarrier |
| Carrier type term |
volume |
| 500 ## - GENERAL NOTE |
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| General note |
Coordinates with: Manual for ear training and sight singing. |
| 500 ## - GENERAL NOTE |
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| General note |
Some selections with texts in various languages. |
| 500 ## - GENERAL NOTE |
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| General note |
Includes indexes. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Basic rhythms in simple meters : skips to 1, 3, and 5 in C major |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The fifteen major keys |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Ties and the dotted beat |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Skips to 7 and 2 as prefix neighbors |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Compound meters |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Diatonic minor |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Lower chromatic neighbors |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chromatic 6 and 7 in the minor mode |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Triplets. Duplets |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Quadruple division of the beat simple meters |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Conducting pulse levels other than the notated beat |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The dominant triad |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The C clefs : alto and tenor clefs |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Skips to 4 and 6 as prefix neighbors |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Sextuple division of the beat in compound meters |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Repeat signs |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The subdominant triad |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Syncopation |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The dominant seventh chord |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Bass lines |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction to voice leading |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The leading-tone triad |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The supertonic triad |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The submediant triad |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The mediant triad |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Other seventh chords |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Transposition |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The modes |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Advanced triplets |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chromatic passing tones |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Skips to chromatic pitches as prefix neighbors |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chords applied to the dominant |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chords applied to the subdominant |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chords applied to the supertonic |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chords applied to the submediant |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chords applied to the mediant |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The neapolitan sixth chord |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The augmented sixth chords |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Other chords |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Melodic sequence |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Other clefs |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Hemiola |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Stepwise chromatic alterations |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Reading in keys other than the notated key signature |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Closely related modulation from the major mode |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Closely related modulation from the minor mode |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Distant modulations |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Successive modulations |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Fragments of tonality |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Advanced meter |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
More advanced rhythms |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Some common non-diatonic pitch collections |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Hypermeter |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Additional excerpts for sight singing |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Sight-singing |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Kram, Richard |
| Relator term |
author |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
|
| Koha item type |
Book |
